Remember you write for to engage the reader, not to disengage.
So, to give more impact to your message, use strong verbs. So many writers take strong verbs and transform them into meaningless nouns. Such a technique steals the poignancy of your message as well as its vitality.
To remedy this malady, re-read your text and highlight all words ending in –ance, -ment, and- ion . When it is plausible, substitute these words with a verb.
Example: This receipt is a confirmation of the purchase I made last Tuesday.
Better: This receipt confirms the purchase I made last Tuesday.
Example: Preparation of the room should be done before the meeting.
Better: Prepare the room before the meeting.
Another way that weakens the voice of your writing is using helping verbs.
When possible, substitute them with strong action verbs.
Helping verbs are:
Be ( am, is ,are, was ,were, been)
Have ( has, had)
Do ( does, did)
Shall
Should
Would
Example: I will have completed the business case by Friday.
Better: I will complete the project by Friday.
Example: I have been invited to present at the conference.
Better: I am invited to present at the conference.
Tuesday, June 24, 2008
Monday, June 16, 2008
Practical tips for proofreading and editing your work
Here below are some tried and true tips for editing your writing from Charlie Wilson of Perfectly Write -Article Source: http://EzineArticles.com/?expert=Charlie_Wilson. In other words, here are some excellent pointers for finding those gremlins that slip by us when we are re-writing and editing.
As a professional proofreader and copy-editor, I spend many hours proofreading each week. The tips below form the basis of my own formula for effective proofreading.
If possible, allow some time between completing your work and proofreading it – ideally overnight. That way you'll be fresher when you proofread and more likely to spot mistakes.
If it is feasible, print your work to proofread it. It is often easier to see mistakes on paper, away from the glare of the computer screen.
Use an easy-to-read font for your work, such as Times New Roman or Arial, and a large font size (14 point minimum) to make it easier for your eye to spot mistakes.
Make a list of things to check as you proofread and tick them off as you go. For example: headings, page numbers, paragraph indents, sentence spacing and the style of certain words.
Break the proofreading down. I usually run through a text quickly several times before a close read. The first time I may look purely at heading styles, the next time at layout, and so on.
Read slowly. Laborious as you may find proofreading, fast skim reading is fairly useless for spotting errors.
Use a ruler or a piece of paper under the line you are reading to isolate it. This stops the eye becoming daunted by the text and skim reading.
If in doubt, use a dictionary to check your spelling. If you don’t have a good dictionary, try www.dictionary.com (but please beware Americanised spellings).
Above all, be consistent – inconsistency bothers readers and is distracting. So, if you’ve decided to go with ‘proofreading’ on page one, don’t write ‘proof-reading’ or 'proof reading’ on page two.
Once you’ve proofread your work, ask a friend or colleague (or professional) to look it over as well. You may be surprised to find what you've missed – the human eye is prone to blind spots.
Charlie Wilson runs Perfectly Write (http://www.perfectlywrite.co.uk) – a UK-based company offering editorial and writing services to businesses, organizations, publishers and authors. A qualified and experienced copywriter, copy editor and proofreader, she is passionate about words and making them ‘perfectly write’.
Article Source: http://EzineArticles.com/?expert=Charlie_Wilson
As a professional proofreader and copy-editor, I spend many hours proofreading each week. The tips below form the basis of my own formula for effective proofreading.
If possible, allow some time between completing your work and proofreading it – ideally overnight. That way you'll be fresher when you proofread and more likely to spot mistakes.
If it is feasible, print your work to proofread it. It is often easier to see mistakes on paper, away from the glare of the computer screen.
Use an easy-to-read font for your work, such as Times New Roman or Arial, and a large font size (14 point minimum) to make it easier for your eye to spot mistakes.
Make a list of things to check as you proofread and tick them off as you go. For example: headings, page numbers, paragraph indents, sentence spacing and the style of certain words.
Break the proofreading down. I usually run through a text quickly several times before a close read. The first time I may look purely at heading styles, the next time at layout, and so on.
Read slowly. Laborious as you may find proofreading, fast skim reading is fairly useless for spotting errors.
Use a ruler or a piece of paper under the line you are reading to isolate it. This stops the eye becoming daunted by the text and skim reading.
If in doubt, use a dictionary to check your spelling. If you don’t have a good dictionary, try www.dictionary.com (but please beware Americanised spellings).
Above all, be consistent – inconsistency bothers readers and is distracting. So, if you’ve decided to go with ‘proofreading’ on page one, don’t write ‘proof-reading’ or 'proof reading’ on page two.
Once you’ve proofread your work, ask a friend or colleague (or professional) to look it over as well. You may be surprised to find what you've missed – the human eye is prone to blind spots.
Charlie Wilson runs Perfectly Write (http://www.perfectlywrite.co.uk) – a UK-based company offering editorial and writing services to businesses, organizations, publishers and authors. A qualified and experienced copywriter, copy editor and proofreader, she is passionate about words and making them ‘perfectly write’.
Article Source: http://EzineArticles.com/?expert=Charlie_Wilson
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